Maximum Entertainment by Ken Weber is the greatest book on performing the mystery arts ever written. His writing here made a number of eureka moments explode in my brain when I read it. Pay particular attention to how he suggest ordering your show. Even if you aren't planning on doing stage shows there's a vast amount of practical information and brilliant thinking about mentalism and how it interacts with audiences.
No better book has been issued on the THINKING behind formatting a show than this one.
I think this is the greatest book available anywhere on mentalism. Here is one of the greatest thinkers of all time sharing techniques, real world methods and brilliantly practical advice. The Artful Mentalism of Bob Cassidy Volume 2. It's a slender book that has more practical information packed into it than any other. THE PRINCIPALS OF MENTALISM by Richard Osterlind. Study them like you would any university text. Let me suggest that you get four books - that comprise a great foundation building course in mentalism. But, trust me, they will make MUCH more sense (meaning you'll only be able to recognize all the golden nuggets hidden in them) once you have a grounding in mentalism and have a better understanding of what it is and how it differs from magic. Performers often recommend books like these to people who are newer to mentalism.
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(And STARTING with Pete Turner? Yikes!) I suggest you set the download aside for now and get back to it in a year or so.Ģ) If you are serious about mentalism - and brand new to it - I'd suggest setting 13 Steps aside as well.
And downloads, in particular, are notorious for covering the basics of THAT effect and nothing more.
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Much of it depends on a basic understanding of how to use words, many nuances that mentalists learn over time. I offer the following thoughts with respect, because you asked:ġ) Propless mentalism is among the most difficult to perform.
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